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Tanglewood Tree

by Dave Carter & Tracy Grammer

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    Includes ten-panel fold-out full-color insert featuring original collage by Marci Roth. Dave often joked this might be America's first Buddhist country album. See what you think.

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  • Full Digital Discography

    Get all 13 Tracy Grammer releases available on Bandcamp and save 10%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of I'll Be Here in the Morning (Single), If I Needed You (Single), American Noel (Dave Carter & Tracy Grammer), The Verdant Mile EP, Low Tide, Joy My Love (EP), Little Blue Egg, Book of Sparrows EP, and 5 more. , and , .

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1.
beat down, misdirected, cropped short and sized to fit honey if we're still connected, i could really use a hit i am not lookin for the key that opens every door just a pillow on the floor where we can sit here in the shinin city, here in the endless summer here in the cave of wonder, number ninety-two the sky of never was was never quite this blue but it's all right, it's all right with me if it's all right with you guru child on glory mountain, waitin patient, turtle-wise twenty years of bliss and countin, trips and riddles in his eyes he says the primal quest ain't nothin but a second guess sometimes you just do your best and compromise here in the shinin city, here in the endless summer here in the cave of wonder, number ninety-two the book is empty from the sparrow's point of view but it's all right, it's all right with me if it's all right with you shootin fools and starry gazers, wizard hip and button-down i walk the occam's razor way through priests and circus clowns am i a visioner of faith or grace or vision or another grinning prisoner in happytown here in the shinin city, here in the endless summer here in the cave of wonder number ninety-two we chase the shadows of the chosen and the few but it's all right, it's all right with me if it's all right with you so strap me in, i'm goin clear, i'm burnin circles 'round the sun the fisher king is here, but he is not the only one parcival and valentino, ridin winged palominos willie in his el camino on the run here in the shinin city, here in the endless summer here in the cave of wonder, number ninety-two the gods will lounge around until the show is through but it's all right, it's all right with me if it's all right with you
2.
TANGLEWOOD TREE (2000) Picture © 2000 Signature Sounds Recordings Happytown (All Right With Me) Tanglewood Tree The Mountain Farewell To Saint Dolores Hey Conductor Crocodile Man Walkin' Away From Caroline Farewell To Fiddler's Rim Cat-Eye Willie Claims His Lover Cowboy Singer Farewell To Bitterroot Valley credits Produced by Dave Carter & Tracy Grammer. Recorded by Mark Thayer at Signature Sounds Studios except (8) recorded by Dave & Tracy in Tracy's Kitchen. Mixed by Mark Thayer with Dave & Tracy at Signature Sounds Studios except (8) and (9), mixed by Mark Frethem, Doctor Digital. Mastered by David Glasser at Airshow Mastering. Package design by Marci Roth. Photography by Brent Hirak. Project management: Lisa Lepine. Pre-production adviser: Jonathan Mann. Musicians: Dave Carter: guitar, banjo, piano, Hammond organ, vocals Bob Dick: upright bass Lorne Entress: drums and percussion Richard Gates: electric bass Tracy Grammer: guitar, violin, mandolin, vocals Chris Turner: harmonica Roger Williams: Dobro guitar Accolades: #1 most played album on Folk Radio for 2000 quotable (coming soon) happytown (all right with me) 00:0000:00 © 2000 David Robert Carter (BMI), administered by Tracy Grammer Music beat down, misdirected, cropped short and sized to fit honey if we're still connected, i could really use a hit i am not lookin for the key that opens every door just a pillow on the floor where we can sit here in the shinin city, here in the endless summer here in the cave of wonder, number ninety-two the sky of never was was never quite this blue but it's all right, it's all right with me if it's all right with you guru child on glory mountain, waitin patient, turtle-wise twenty years of bliss and countin, trips and riddles in his eyes he says the primal quest ain't nothin but a second guess sometimes you just do your best and compromise here in the shinin city, here in the endless summer here in the cave of wonder, number ninety-two the book is empty from the sparrow's point of view but it's all right, it's all right with me if it's all right with you shootin fools and starry gazers, wizard hip and button-down i walk the occam's razor way through priests and circus clowns am i a visioner of faith or grace or vision or another grinning prisoner in happytown here in the shinin city, here in the endless summer here in the cave of wonder number ninety-two we chase the shadows of the chosen and the few but it's all right, it's all right with me if it's all right with you so strap me in, i'm goin clear, i'm burnin circles 'round the sun the fisher king is here, but he is not the only one parcival and valentino, ridin winged palominos willie in his el camino on the run here in the shinin city, here in the endless summer here in the cave of wonder, number ninety-two the gods will lounge around until the show is through but it's all right, it's all right with me if it's all right with you tanglewood tree 00:0000:00 © 2000 David Robert Carter (BMI), administered by Tracy Grammer Music love is a tanglewood tree in a bower of green in a forest at dawn fair while the mockingbird sings, but she soon lifts her wings and the music is gone young lovers in the tall grass with their hearts open wide when the red summer poppies bloom but love is a trackless domain and the rumor of rain in the late afternoon love is an old root that creeps through the meadows of sleep when the long shadows cast thin as a vagrant young vine, it encircles and twines and it holds the heart fast catches dreamers in the wildwood with the stars in their eyes and the moon in their tousled hair but love is a light in the sky, and an unspoken lie and a half-whispered prayer i'm walkin down a bone-dry river where the cool mirage runs true i'm bankin on the fables of the far, far better things we do i'm livin for the day of reck'nin countin down the hours i yearn away, i burn away, i turn away the fairest flower of love, 'cause darlin love is a garden of thorns, and a crow in the corn and the brake growing wild cold when the summer is spent in the jade heart's lament for the faith of a child my body has a number and my face has a name and each day looks the same to me but love is a voice on the wind, and the wages of sin and a tanglewood tree love's garden of thorns, how it grows black crow in the corn hummin low brake nettle so pretty and wild and thistles surround the edge of the dim dark hour as the sun moves away lamenting a lost summer day who nurtures the faith of a child when nothing remains to cover her eyes my body has a number, maybe my face has a name each hour like each hour before this longing is a voice on the wind she cultivates the wages of sin in a tanglewood tree
3.
The Mountain 03:39
i was born in a forked-tongued story raised up by merchants and drugstore liars now i walk on the paths of glory one foot in ice, one in fire i see the mountain, the mountain comes to me i see the mountain and that is all i see some poor prophet comes, some find solace some lay him down in a junkyard bay some will chase us and some will call us gone, gone, gone in a day gone to the mountain, the mountain comes to me i see the mountain and that is all i see miller take me and miller grind me scatter my bones on the wild green tide maybe some rovin bird will find me over the water we'll ride over the mountain, the mountain comes to me i see the mountain and that is all i see some build temples and some find altars some come in tall hats and robes spun fine some in rags, some in gemstone halters some push the pegs back in line i see the mountain, the mountain comes to me i see the mountain and that is all i see ____________________ sumerian lyrics: da-ri kur-niserin-na, pirin zalag, pirin zalag da-ri kur-niserin-na, dili-du-a, dili-du [endless mountain of cedar trees, forest of light, forest of light endless mountain of cedar trees, i walk alone, i walk alone]
4.
"can you stay until tomorrow, there is no one here to save can you stay until tomorrow, there is no one here to save" so spoke our lady of eternal sorrow from the shelter of her cave in a carriage of white linen, in her bed beneath the stairs in a carriage of white linen, in her bed beneath the stairs she took me to the jesse house of women and sanctified me there i remember yellow curtains, and her long hair hangin down i remember yellow curtains, and her long hair hangin down and the ageless face that witnessed me for certain when my own could not be found if you see my saint dolores, tell her love from brother john if you see my saint dolores, tell her love from brother john when the judas moon breaks o'er the virgin forest i'll be down the road and gone
5.
sittin on the dock at union station waitin on the pride of the indian nation fastest thing on metal wings and wheels people come from all directions just to see their own reflections in a thousand tons of polished steel they say, "hey conductor, does this train go to texas with a hoot and a holler all the way down to san antone?" they say, "hey conductor, does this train go to texas? i got a dime and a dollar and a one-way ticket home" whistle whine when the brakeman pull it see her flyin like a silver bullet past the houses through the sleepy hills blackjack oak and red dust risin scarlet sun on the blue horizon hear the lonesome call of the whippoorwill he says, "hey conductor, does this train go to texas with a hoot and a holler all the way down to san antone?" they say, "hey conductor, does this train go to texas? i got a dime and a dollar and a one-way ticket home" kids come out their eyes a-poppin young men runnin, old men hoppin when they hear the might engine roar lords a-leapin, bands a-playin ladies dancin, hound dogs bayin passengers and hopefuls by the score they say, "hey conductor, does this train go to texas with a hoot and a holler all the way down to san antone?" they say, "hey conductor, does this train go to texas? i got a dime and a dollar and a one-way ticket home" now baby i would beg or borrow hock my own best boots tomorrow just to get up on that train and go kings and beggars, saints and villains you and me and all god's chillin ponca city to the gulf of mexico we say, "hey conductor, does this train go to texas with a hoot and a holler all the way down to san antone?" we say, "hey conductor, does this train go to texas? i got a dime and a dollar and a one-way ticket home i got a dime and a dollar and a one-way ticket home"
6.
mama she raised me on riddles and trances fatback, channel-cat, lily-white lies rocked my cradle in a jimmy-crack fancy never knew papa and i never asked why people say papa wasn't no-account anyway people say papa was rollin stone i turned twenty on the waccamaw throughway hitchin upriver in the dark alone sleepin with a stranger in a no-name town thanksgivin dinner at the top hat lounge christmas eve at the fantasy tan lord have mercy on the crocodile man lord have mercy on the crocodile man hooked up with a carny a little outta memphis slavin in a sideshow, pennies in a jar beetle-eyed jokers and hicktown princes rhinestone rubies and rubber cigars wrassled me a gator up in omaha city did me another down in new orleans tangled with the barker, run off with the kitty crawled the mississippi and i got away clean sleepin with a stranger in a no-name town thanksgivin dinner at the top hat lounge christmas eve at the fantasy tan lord have mercy on the crocodile man lord have mercy on the crocodile man underneath the levee in a cattail thicket hidden in the shadow of a shady grove there's a thatched roof risin from a poke fence picket white smoke billows from a kettle-black stove inside the house is the hall of mirrors inside the mirror is the temple of sin inside the temple is the face of mama and mama she know just where i been yeah, mama know exactly where her bad boy been sleepin with a stranger in a no-name town thanksgivin dinner at the top hat lounge christmas eve at the fantasy tan lord have mercy on the crocodile man lord have mercy on the crocodile man
7.
caroline puts dylan on, she always sings along she gets the words all wrong she falls out of time but it sounds just fine caroline says no one else can take my place she says it's my honest face and my simple heart and my constant mind man i'm as fickle as a ten-cent knife i'm an anchorless vessel on the ocean of life and i'm walkin away from caroline caroline says that it ain't no good to shout she don't want to be drawn out she's a one-eyed witch in a world gone blind caroline says no one else could understand how she's a woman and she's a man she's a gust of wind, she's a creepin vine man all i know is that life ain't fair and it's four in the morning and i just don't care and i'm walkin away from caroline so i tell caroline i'm afraid to feel too much i say, though i'm cold to touch still i burn inside and i just need time caroline says that she don't mind the wait she says that it's only fate, and it's no one's fault and it's no one's crime and caroline swears, she says "i love you" man i know she's lyin cause i'm lyin too and i'm walkin away from caroline
8.
they call the house the risin sun but the rooms were dark and dingy she packed her bag when the year was done, she won't be back again she's a-goin home, back to carolina leavin fiddler's rim behind her she gave her heart by the harvest moon to a fair-haired half-commanche but she plum give up on the someday soons of a no-good gamblin man she's a-goin home, back to carolina leavin fiddler's rim, and diamond jim behind her the sun sets down behind the hills, the trees are dreich and drowsy she wonders if he want her still, but it don't matter now she's a-goin home, back to carolina leavin fiddler's rim, and diamond jim, and her love for him behind her
9.
bonnie brown lay down the jack of diamonds young cody took the king of clubs in trade the queen of hearts was dealt to simple simon but cat-eye willie drew the ace of spades now bonnie make the bed that you were born in turn your daddy's picture to the wall for you'll not marry cody come the mornin tonight ol shufflin willie comes to call bonnie brown, you can run and hide, fly my honey lamb you can cry have mercy and crawl the cane for cover but you're bound for the butcher's bride the slew-foot devil won't be denied when cat-eye willie comes to claim his lover as the hour of midnight was approachin she heard his goblin bootheels on the floor the tattered rags like raven wings in motion the hammer hand upon the bedroom door "have mercy on this high-born lily maiden the fairest of the valley so they say" "'twas you who mocked my bent back, heavy laden no mercy had you in your heart that day" bonnie brown, you can run and hide . . . now he has had away her coat of leather and he has had away her daisy dress but as he slumbers on her bed of feathers she breaks a silver dagger in his chest "oh hold your pillow to my breast to stay the crimson flood for my darlin, oh my darlin you have spilled my mortal blood" "no i will not your darlin be while i have breath and spit in me" "then i curse your proud house down 'til you're buried in the ground" bonnie brown, you can run and hide ... now twenty years her suitors have been idle and twenty years her cat-eye boy has grown and he has stolen ruttle horse and bridle and taken to the cullion road alone "oh build my tomb down in some meadow lonely mark it with the traitor diamond knave for i have served one master, true and only and i shall sleep beside him in the grave" bonnie brown, you can run and hide ...
10.
seventeen years she has been in this world wide-eyed and wistful, pretty little mormon girl and she don't know i'm wicked, and she don't know i'm old sweet jesus forgive me but she gets in my soul 'cause she believes in the future and the family tree and she thinks there's a little spark of good left in me and she comes to my door 'cause she thinks i can bring her the glamorous life of a cowboy singer i rise from my bed to her hand at the bell i look like the devil and i'm feelin like hell but she don't seem to notice and she steps right inside for to sing me the song that she made up last night and her voice is shinin with the moon and the stars and she plays so unspoiled on that two-bit guitar singin love and tomorrow and thank the redeemer and i doom and anoint her a cowboy singer alone in my room when she leaves me again i stare at the wall and see death closin in but i like to imagine i will meet her someday in a land at the end of this lonesome highway in a fine high country where the best songs are sung and the labels don't care if you're old or you're young and the martins are cheaper, and the pastures are greener and all of the angels are cowboy singers yes, and all of the angels are cowboy singers
11.
fly my little dove, wander far night sky broodin and stormy shine beside me my wisdom star light the desert before me so long willie my wastrel boy farewell sister my sally i am the spark and mercury rollin joy 'cross the bitterroot valley farewell willie my slumb'rin child farewell sister my sally i am the spark and mercury rollin wild across the bitterroot valley

about

#1 most-played album on Folk Radio for 2000

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released March 14, 2000

Produced by Dave Carter & Tracy Grammer.

Recorded by Mark Thayer at Signature Sounds Studios except (8) recorded by Dave & Tracy in Tracy's Kitchen. Mixed by Mark Thayer with Dave & Tracy at Signature Sounds Studios except (8) and (9), mixed by Mark Frethem, Doctor Digital. Mastered by David Glasser at Airshow Mastering. Package design by Marci Roth. Photography by Brent Hirak. Project management: Lisa Lepine. Pre-production adviser: Jonathan Mann.

Musicians:
Dave Carter: guitar, banjo, piano, Hammond organ, vocals
Bob Dick: upright bass
Lorne Entress: drums and percussion
Richard Gates: electric bass
Tracy Grammer: guitar, violin, mandolin, vocals
Chris Turner: harmonica
Roger Williams: Dobro guitar

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Tracy Grammer Greenfield, Massachusetts

Writer. Actor. Storyteller. Singer. Multi-instrumentalist. Former head cheerleader, now a fearless navigator of the heart.

“One of the finest pure musicians anywhere in folkdom.” - Boston Globe

“A brilliant artist.” - Joan Baez

“Her gifts as a musician are like that of a painter who is a master of chiaroscuro, offering light and shadow at every turn.“ - Mary Chapin Carpenter
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