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Flower of Avalon

by Tracy Grammer

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  • Compact Disc (CD) + Digital Album

    The #1 most-played album on folk radio for 2005. Liner notes and harmonies by Mary Chapin Carpenter; co-produced by Grammer and John Jennings. Featuring nine songs by Dave Carter and a cover of Bill Jolliff's "Laughlin Boy."

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  • Sheet Music + Digital Album

    Guitar/vocal songbook with chords, notation, lyrics, and some instrumental solos for the songs on the FLOWER OF AVALON CD. Arranged and transcribed by Tracy Grammer. © 2009 Tracy Grammer Music. All rights reserved.

    Includes unlimited streaming of Flower of Avalon via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Full Digital Discography

    Get all 13 Tracy Grammer releases available on Bandcamp and save 10%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of I'll Be Here in the Morning (Single), If I Needed You (Single), American Noel (Dave Carter & Tracy Grammer), The Verdant Mile EP, Low Tide, Joy My Love (EP), Little Blue Egg, Book of Sparrows EP, and 5 more. , and , .

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1.
it is rain, it is age, it is poison supplication to family honor little children with keys to the temple red lights and silver dimes it's waiting for a sun that punishes but seldom shines living and dying in the shadow of evangeline she is young, like her mother before her put-up tired at the end of her labors true-believing and ever-desiring quiz shows and checkout lines in porchlight halo ringed about by moss and hanging vines she casts the never-changing shadow of evangeline in the bang and the crash of the factory in a hot, cutting season of metal on the floor of an ocean of contracts skin drums and shrunken heads strange dances long undone go stamping in between the lines old gods, incarnate in the shadow of evangeline
2.
Gypsy Rose 05:03
my love is like a gypsy rose wild is the only way he grows out where the sweet july wind blows he blooms over yonder his voice is like a mountain stream washes me clear, washes me clean i walk along the banks serene where he will wander there is no hill high as the moon, no river deeper than the sea no shooting star, reckless in flight, burns in the night wild as the love he gave to me only the rain knows where he goes thunder and me, ramblin with my gypsy rose and on the day we were wed up to the altar he was led lay like a prisoner in my bed oh, how we shivered so i built a house to keep him in guarded him from the sun and wind but in the autumn he grew thin in winter, he withered there is no hill ... my love was buried in the spring i see his face in blossoming things one night i thought i heard him sing down in the hollow now it's been thirty years and three every night he calls to me and for as long as i shall be i know i'll follow there is no hill ...
3.
Laughlin Boy 04:26
have you heard many a story told by old and young with joy about the faithful deed of daring that was done by the laughlin boy that was done by the laughlin boy listen to me children, well i wouldn't tell a lie listen to me children, well i wouldn't tell a lie that laughlin boy was a boy of honor and he loved virginia well but he would not fire a rifle so he sat in a cold jail cell so he sat in a cold jail cell he was pierced and he was beaten forty stripes he gladly bore but he would not serve the devil in that awful civil war in that awful civil war listen to me children ... twelve grey soldiers stood before him and they aimed their rifles true he prayed lord, oh please forgive them for they know not what they do for they know not what they do those young soldiers would not fire they defied the general's plan so the army changed his sentence who could murder such a man? who could murder such a man? listen to me children ... they hauled him far away to richmond far away from his kids and wife there, pneumonia wracked his body that good man soon lost his life that good man soon lost his life now his wife is sadly weeping seven children wonder why lord it seems that truth and honor sure can come at an awful price sure can come at an awful price listen to me children ... oh, have you heard many a story told by old and young with joy about the faithful deed of daring that was done by the laughlin boy that was done by the laughlin boy
4.
lonesome stranger, won't you share my bed the sidewalk siren at the bus stop said love is a tear in a salty bay and it's hard to make it in this world today love is a river but the river run dry the clouds blow bitter in a boneyard sky flesh dries up and it burns away and you can't remember where your heart once lay and it's hard to make it in this world today dandy don, he's a velvet hand he's my silent partner, he's the inside man holds me shakin through the shotgun dawn and he keeps me walkin down this road i'm on keeps me runnin when he calls my name shines the light but he kills the flame stones me simple when i try to speak bruise my face but he kiss my cheek and it's hard to make it when you get this weak one of these mornins, gonna spread my wings like a red-ass robin at the gates of spring rise up singin on a cyclone wind till the walls of this city come tumblin in walls of this city come tumblin, rumblin 'round my head like an old man stumblin i don't care if the mountains fall there's a little blue egg in the middle of this all and it's hard to make it when you feel so small bus pulled up and i climbed inside i sat in the window and i waved goodbye she stood starin at the blue machine singin, "nobody knows the trouble i've seen" nobody cares and nobody knows only weeds remember where your headstone grows and it's dust to ashes and wings to clay and i check my wallet as we pull away, 'cause it's hard to make it in this world today
5.
Hey Ho 03:49
tv's on, the favorite son is watchin how the west was won daddy, please, a plastic gun get brother one for twice the fun little camo helmet-heads makin brave and playin dead missiles made of gingerbread and dollars on the dime hey ho, so it goes, the point of sale, the puppet show the merchant kings of war and woe have turned their hands to labor sound out the trumpet noise, the cannons bark and jump for joy someone's dread and darlin boy has fallen on his saber another world across the sea home for little busy bees sweatin in some factory hurry please, more of these action dolls with laser sights robot planes that shoot at night faster kid, and get it right they're rollin down the line hey ho, so it goes ... these days the spin machine is always on the silver screen secret plots and submarines foreign fiends and magazines wave the flag, watch the news tell us we can count on you mom and dad are marchin too children, step in time hey ho, so it goes ... bring your kids and coddled pets bouncin babes in bassinets we'll play a game with tanks and jets better yet, bayonets marchin bands and color guards funerals in your own backyard don't forget your credit card johnny, hold the line hey ho, so it goes ...
6.
...with thanks to texas poet alan gann, who gave this song a name on tomorrow's painted wagon, in a yester-dreamin day i rode to heaven never thinkin i'd be back this way now i'm standin at your doorstep with my halo turnin grey open up your gate, marianna lay me down in the dark womb of your love mother i sought the chosen people, but i found no one to comfort me lay me down in the dark womb of your love mother i climbed the highest steeple, i found nothin to believe when they called my faults against the wall i took my place in line and put my trust in priestly men to break the ties that bind but their straight and narrow highway's just a row of billboard signs open up your gate, marianna lay me down in the dark womb of your love mother i sang the sacred psalter but no savior came to comfort me lay me down in the dark womb of your love i went naked to the altar, i found nothin to believe so i set my feet to walkin from the sidewalk to the sand in search of any saint or sage who knew the master plan yeah, i wandered every backroad in that broken promise land open up your gate, marianna lay me down in the dark womb of your love mother i kept the plain and simple, but no shepherd came to comfort me lay me down in the dark womb of your love i stood shiv'rin in the temple, i found nothin to believe as lightnin burns these bridges under, smoke will surely rise and the fables of my innocence blow lazy through the skies when timeless truths reveal themselves as little more than lies open up your gate, marianna lay me down in the dark womb of your love mother i razed the tainted chapel, but no angel came to comfort me lay me down in the dark womb of your love mother i stormed the tower of babel, i found nothin to believe sticks and stones might break this body and words might wound my soul and phantom visions fly me where the faithful fear to go but when this story's over and my sun is sinkin low open up your gate, marianna lay me down in the dark womb of your love mother the years pass outta countin but no prophet comes to comfort me lay me down in the dark womb of your love mother i climbed the holy mountain, i found nothin to believe mother i climbed the holy mountain, i found nothin to believe
7.
he was born in miller's mansion when the mistress was asleep the secret son of the chambermaid and master and they sent him into hidin for his schoolin and his keep with the carlysles and the other lucky bastards now his toady tutors fawn and praise the man that he's become though he's taken to the laudenum and faro he walks the streets like velvet death with his daddy's money on his breath and a shame he cannot shake down in his marrow when day fades to black you must not listen to the killer pretty voices keep you beautiful and bound cause the simple, sorry fact of your existence, preston miller is enough to bring this house of evil down one night upon some drunken dare he writes his absent sire sayin father i would fain come home to meet thee and though his worthless friends guffaw this sudden show of fire another round of bourbon and it's easy and this letter finds his father in his tower far away and the hoary claw that holds it shakes and trembles is it grief over a life misspent, or love or greed or mere contempt or something darker stirring in his temples when day fades to black ... a week gone by, he's wakened by a knockin at his door and he drags himself half-wasted to the threshold it's a message in his father's quill sayin meet me scion, if you will at the very stroke of midnight in the meadow now he has combed his laggard locks and hired a comely roan and he's met his comrade fops around the fountain and he's bidden each a grand goodbye and he's cantered off alone to meet his aged father in the mountains when day fades to black ... come out come out my father dear, i honor thee tonight he shouts as he goes weavin in the saddle and he sees the stars go blinkin by like the twinkle in a trollop's eye and six riders ridin madly in the shadows this morning sailed a ship of fools across a sea of gin with a blind and grinning reaper at the tiller and it drove an aging jacob to his lone and bitter end and a bullet through the brain of preston miller
8.
as the sun is to the city in the endless weeping winter so is joy to me, and pity when he leaves me falsely tender like the true love's knot we tethered, plastic ivy 'round the portal for to frame the spring forever though the blizzard took the mortal holy rose it's always winter when he goes as a matter of convenience we don't speak of dying gardens as a woman of heart and lenience, i make liberal with my pardons i am generous with kindness; he, with smiles and exultations though he binds his wounds in silence, i my own in practiced patience, lest he know it's always winter when he goes he collects the twigs and briars i stack them up for fire but it's chilly for the burning he slumbers in the straw i hold out for the thaw but the seasons won't be turning as i'm writing you this letter the bluestem's runnin riot the daisies break their fetters and the bees will not lay quiet if you find him where he's dancin with his lover or his jailer say in april's splendid mansion i lay broken by his trailer in the snow it's always winter when he goes
9.
Phantom Doll 04:07
...dedicated to byron isaacs and george javori. this is the last song dave carter wrote. raggedy ann came out to play kittened a thin disguise against the day painted a face across the mask victim of the looking glass: store windows are cruel mannequin charms outshine her own runnin away from her reflection home hangin her head behind the door sleepin on the kitchen floor in glorious dreams she walks outside her skin her face so fine, her waist so thin her voice like chimes and mandolins beautiful phantom doll saturday night on circus street beating a long and ill-conceived retreat carnival barkers bar her way she never hears a word they say in glorious dreams she strolls, the boys beseech the venus queen of venice beach so near, so ever out of reach beautiful phantom doll midnight, the struggle is over rise up, lily-white delicate shoulders outside, the poets all know her all of her children are waiting beggars and wrecks line junkyard lanes tiffany slippers click-clack through the rain rickety bones and sheer chiffon dancin on the mayor's lawn in glorious dreams they glide through gilded rooms the drakes and gravely pale dragoons the wasted daughters of the moon beautiful phantom doll raggedy andy wrote this song scribbled it here where oceans meet the dawn scuttled away on hansen claws cinderella sailors draw on glorious dreams sunrise, she spins her spells on rising tides of wishing wells on aphrodite lotus shells beautiful phantom doll
10.
Any Way I Do 04:40
in the redwing valley on the injun side upon my daddy's pony i would ride now i work in the city on the fact'ry line and i sing the rock of ages in a midnight choir sometimes in praise or lamentation peace or desperation any way i do, i come into the presence of the lord in the twilight hour when the whistle blow out upon that shotgun street i go johnny walker on the sidewalk askin for my change prophesyin thunder, man he's sleepin in the rain in praise or lamentation ... hey, can you hear the trumpet blowin hey, won't you come up where i am sister will you walk beside me where i'm goin up the shadow canyon in the pure blood of the lamb when the midnight special come to take me home and the toothless buzzard time gnaws down my bones i will sail on a river in a boat of reeds cryin, "come oh come emmanuel in this, my hour of need" in praise or lamentation ...

about

The #1 most-played album on folk radio in 2005, FOA is Grammer's tribute to the late Dave Carter and features nine of his previously-unpublished songs, plus one cover song. Liner notes and harmonies by Mary Chapin Carpenter.

credits

released April 26, 2005

Produced by Tracy Grammer & John Jennings

Recorded by Mark Thayer at Signature Sounds. Additional recording by Billy Oskay at Big Red Studio; Mark Frethem at Doctor Digital; Bob Stark at Kung Fu Bakery; John Jennings at Chateau Chickadee. Mixed by Bob Stark at Kung Fu Bakery except for "Hard to Make It," mixed by Bob Dawson at Bias Recording Studios. Mastered by Dominic Maita at Airshow Mastering. Package design and scratchboard cover art by Gary Houston Design. Layout and typography by Kevin Hutton. Photography by Briel Johnson, Five Petal Design. Production assistance by Jess Byers and Jim Henry.

All songs © 1995-2002 Dave Carter / David Robert Carter (BMI), administered by Tracy Grammer Music, except "Laughlin Boy," lyrics by Wm. Jolliff, tune adapted from "The Johnson Boys," trad. © 1999 Wm Jolliff (BMI)

© 2005 Signature Sounds Recordings

Musicians:
Clark Bondy: clarinet
Jon Carroll: keyboards, harmony vocals (10)
Mary Chapin Carpenter: harmony vocals (3, 6, 10)
Lorne Entress: drums and percussion
Tracy Grammer: acoustic guitar, walkabout dulcimer, banjo, vocals
Jim Henry: dobro, mandolin, electric guitars, vocals
John Jennings: tenor guitars, electric guitars, electric bass, harmony vocals (3)
Mike Rivard: upright and electric bass
Rob Schnell: percussion

Accolades:
#1 Most Played Album on Folk Radio in 2005
#3 Most-Played Artist on Folk Radio for 2005
#8 WUMB-Boston "Top 10 Albums of 2005"
#1 KBOO-Portland "Portland General Eclectic" Best of 2005
Voted #21 WFUV-New York "Best 50 Albums of 2005"
Voted #23 WUMB-Boston "Top 100 Performers Listener Poll"
Top 5 Contemporary Folk Album 2005 - KANU Lawrence KS
Best of 2005 Album List - George Graham, WVIA-Pittston/Scranton PA
#3 Top 10 of 2005 - Jos van de Boom, Crossroads Radio "Jaarlijstjes 2005" (Holland)
#7 Fish Records Best of 2005 (UK)
#15 Top 20 CDs of 2005 - Kay Clements, KRCB Rohnert Park CA

Industry Nominations
International Folk Music & Business Alliance Awards:
Album of the Year
Solo Artist of the Year
Song of the Year ("Gypsy Rose")


--QUOTABLE--

“A musician and singer of dazzling versatility... [Flower of Avalon] unfurls as a portrait of an artist coming into her own.” - No Depression

“…one of the most engaging albums of the year. [Grammer] flies solo with a style and grace that must be heard to be believed … [using] this occasion to shine and announce that she is a voice to be reckoned with from here on out.” - Village Records

“FLOWER OF AVALON is a welcome revelation... The selections seem utterly new and timelessly rooted; exquisitely chiseled, probing life's imponderables in vivid and openhearted ways. But there is another revelation here: Grammer is, in her own right, among the finest singers and musicians anywhere in folkdom.” - Boston Globe

"...Co-produced by John Jennings and featuring vocal contributions from Mary Chapin Carpenter, the album skirts a careful line between alt-country and the more haunting archetypal songs Carter wrote so well. From the beautiful “Gypsy Rose,” which rings out like a classic Byrds song, to the fiddle-driven “Laughlin Boy,” Grammer sings with grace and strength. “Hard to Make It,” has an Emmylou-like sparseness and “Hey Ho” explores how war is marketed to our children, all the while slinking to a snaking rhythm. “Mother, I Climbed” is sure to become a folk classic and is reminiscent of the work of Carpenter, who sings harmony on it. The centerpiece is of the set is surely “Preston Miller,” a spirited tale of betrayal in the tradition of “Shady Grove” or Dylan's “Lily, Rosemary and the Jack of Hearts.” Grammer takes her rightful place among some of folk and country's best singers with this superb new album." - Lahri Bond, Highlight Review: Dirty Linen Magazine

“What makes this CD special is not the songs but the production, which is so decidedly different from anything Carter would have done, suggesting the direction Grammer's music is headed -- a nice mix of folk, pop and alt-country.”- Minnesota Star-Tribune

Out of the ashes of loss comes a soul survivor’s gorgeous and life-affirming statement of purpose.... Although Grammer’s vaunted instrumental skills are on conspicuous display—her fiddle playing has never sounded more sure-handed and evocative—it’s her supple, subtly expressive voice that carries the day. Fans of Alison Krauss and Union Station and Rosanne Cash’s later, contemplative work should feel right at home with this simply arranged, emotionally rich collection. - Acoustic Guitar Magazine

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Tracy Grammer Greenfield, Massachusetts

Writer. Actor. Storyteller. Singer. Multi-instrumentalist. Former head cheerleader, now a fearless navigator of the heart.

“One of the finest pure musicians anywhere in folkdom.” - Boston Globe

“A brilliant artist.” - Joan Baez

“Her gifts as a musician are like that of a painter who is a master of chiaroscuro, offering light and shadow at every turn.“ - Mary Chapin Carpenter
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